In the warming house, children lace their skates,
bending, choked, over their thick jackets.
A Franklin stove keeps the place so cozy
it’s hard to imagine why anyone would leave,
clumping across the frozen beach to the river.
December’s always the same at Ware’s Cove,
the first sheer ice, black, then white
and deep until the city sends trucks of men
with wooden barriers to put up the boys’
hockey rink. An hour of skating after school,
of trying wobbly figure-8’s, an hour
of distances moved backwards without falling,
then—twilight, the warming house steamy
with girls pulling on boots, their chafed legs
aching. Outside, the hockey players keep
playing, slamming the round black puck
until it’s dark, until supper. At night,
a shy girl comes to the cove with her father.
Although there isn’t music, they glide
arm in arm onto the blurred surface together,
braced like dancers. She thinks she’ll never
be so happy, for who else will find her graceful,
find her perfect, skate with her
in circles outside the emptied rink forever?
all the singing is in
the tops of the trees
where the wind-bird
with its white eyes
shoves and pushes
among the branches.
Like any of us
he wants to go to sleep,
but he's restless—
he has an idea,
and slowly it unfolds
from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.
So, it's over.
In the pine-crown
he makes his nest,
he's done all he can.
I don't know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—
which he has summoned
from the north—
which he has taught
to be mild, and silent—
thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird
that loves us,
that is asleep now, and silent—
that has turned itself
The Cold Earth Slept Below
By Percy Bysshe Shelley
The cold earth slept below;
Above the cold sky shone;
And all around,
With a chilling sound,
From caves of ice and fields of snow
The breath of night like death did flow
Beneath the sinking moon.
The wintry hedge was black;
The green grass was not seen;
The birds did rest
On the bare thorn’s breast,
Whose roots, beside the pathway track,
Had bound their folds o’er many a crack
Which the frost had made between.
Thine eyes glow’d in the glare
Of the moon’s dying light;
As a fen-fire’s beam
On a sluggish stream
Gleams dimly—so the moon shone there,
And it yellow’d the strings of thy tangled hair,
That shook in the wind of night.
The moon made thy lips pale, beloved;
The wind made thy bosom chill;
The night did shed
On thy dear head
Its frozen dew, and thou didst lie
Where the bitter breath of the naked sky
Might visit thee at will.
Sonnet 97: How like a winter hath my absence been
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December's bareness everywhere!
And yet this time remov'd was summer's time,
The teeming autumn, big with rich increase,
Bearing the wanton burthen of the prime,
Like widow'd wombs after their lords' decease:
Yet this abundant issue seem'd to me
But hope of orphans and unfather'd fruit;
For summer and his pleasures wait on thee,
And thou away, the very birds are mute;
Or if they sing, 'tis with so dull a cheer
That leaves look pale, dreading the winter's near.
Crossing the Square
Squinting through eye-slits in our balaclavas,
we lurch across Washington Square Park
hunched against the wind, two hooded figures
caught in the monochrome, carrying sacks
of fruit, as we’ve done for years. The frosted, starch-
stiff sycamores make a lean Christmas tree
seem to bulk larger, tilted under the arch
and still lit in three colors. Once in January,
we found a feather here and stuffed the quill
in twigs to recall that jay. The musical fountain
is here, its water gone, a limestone circle
now. Though rap succeeds the bluegrass strains
we’ve played in it, new praise evokes old sounds.
White branches mimic visions of past storms;
some say they’ve heard ghosts moan above this ground,
once a potter’s field. No two stones are the same,
of course: the drums, the tawny pears we hold,
are old masks for new things. Still, in a world
where fretted houses with façades are leveled
for condominiums, not much has altered
here. At least it’s faithful to imagined
views. And, after all, we know the sycamore
will screen the sky in a receding wind.
Now, trekking home through grit that’s mounting higher,
faces upturned to test the whirling snow,
in new masks, we whistle to make breath-clouds form
and disappear, and form again, and O,
my love, there’s sun in the crook of your arm.