Take, Oh, Take Those Lips Away
by William Shakespeare
Take, oh, take those lips away
That so sweetly were forsworn
And those eyes, like break of day,
Lights that do mislead the morn;
But my kisses bring again,
Seals of love, though sealed in vain.
Hide, oh, hide those hills of snow,
Which thy frozen bosom bears,
On whose tops the pinks that grow
Are of those that April wears;
But first set my poor heart free,
Bound in those icy chains by thee.
REFLECTIVE MUSIC: Take, Oh, Take Those Lips Away by Roger Quilter
The Unquarried Blue of Those Depths Is All But Blinding
by Ashley Anna McHugh
There are some things we just don’t talk about—
Not even in the morning, when we’re waking,
When your calloused fingers tentatively walk
The slope of my waist:
How love’s a rust-worn boat,
Abandoned at the dock—and who could doubt
Waves lick their teeth, eyeing its hull? We’re taking
Our wreckage as a promise, so we don’t talk.
We wet the tired oars, tide drawing us out.
We understand there’s nothing to be said.
Both of us know the dangers of this sea,
Warned by the tide-worn driftwood of our pasts—.
But we’ve already strayed from the harbor. We thread
A slow wake though the water—then silently,
We start to row, and will for as long as this lasts.
REFLECTIVE MUSIC: Tonal Pictures by CharlesGriffes;
Reflections in the Water by Claude Debussy
I Knew A Woman
by Theodore Roethke
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I’d have them sing in chorus, cheek to cheek).
How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and Stand;
She taught me Touch, that undulant white skin;
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing we did make).
Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved).
Let seed be grass, and grass turn into hay:
I’m martyr to a motion not my own;
What’s freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways).
REFLECTIVE MUSIC: Body & Soul (performed by Art Pepper)
When to Her Lute Corinna Sings
by Thomas Campion
When to her lute Corinna sings,
Her voice revives the leaden strings,
And doth in highest notes appear
As any challenged echo clear;
But when she doth of mourning speak,
Ev’n with her sighs the strings do break.
And as her lute doth live or die,
Let by her passion, so must I:
For when of pleasure she doth sing,
My thoughts enjoy a sudden spring,
But if she doth of sorrow speak,
Ev’n from my heart the strings do break.
REFLECTIVE MUSIC: Lute Songs by John Dowland
Movement Song by Audre Lorde
I have studied the tight curls on the back of your neck
moving away from me
beyond anger or failure
your face in the evening schools of longing
through mornings of wish and ripen
we were always saying goodbye
in the blood in the bone over coffee
before dashing for elevators going
in opposite directions
Do not remember me as a bridge nor a roof
as the maker of legends
nor as a trap
door to that world
where black and white clericals
hang on the edge of beauty in five oclock elevators
twitching their shoulders to avoid other flesh
there is someone to speak for them
moving away from me into tomorrows
morning of wish and ripen
your goodbye is a promise of lightning
in the last angels hand
unwelcome and warning
the sands have run out against us
we were rewarded by journeys
away from each other
into mornings alone
where excuse and endurance mingle
Do not remember me
nor as the keeper of secrets
I am a fellow rider in the cattle cars
you move slowly out of my bed
saying we cannot waste time
REFLECTIVE MUSIC: Preludes in D major & G major by Sergei Rachmaninov