By Sara Teasdale
Lyric night of the lingering Indian Summer,
Shadowy fields that are scentless but full of singing,
Never a bird, but the passionless chant of insects,
The grasshopper’s horn, and far-off, high in the maples,
The wheel of a locust leisurely grinding the silence
Under a moon waning and worn, broken,
Tired with summer.
Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember, soon will the winter be on us,
Snow-hushed and heavy.
Over my soul murmur your mute benediction,
While I gaze, O fields that rest after harvest,
As those who part look long in the eyes they lean to,
Lest they forget them.
Originally published in Poetry, March 1914.
All Summer Long
By Carol Frost
From "Love and Scorn: New and Collected Poems" © 2000 Love and Scorn: New and Collected Poems. © 2000Love and Scorn: New and Collected Poems. © 2000
The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.
The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.
The parents are sleeping all afternoon,
and no one explains the long uneasy afternoons.
She hears their combined breathing and swallowing
salivas, and sees their sides rising and falling
like the sides of horses in the hot pasture.
At evening a breeze dries and crumbles
the sky and the clouds float like undershirts
and cotton dresses on a clothesline. Horses
rock to their feet and race or graze.
Parents open their shutters and call
the lonely, happy child home.
The child who hates silences talks and talks
of cicadas and the manes of horses.
The End of Summer
By Rachel Hadas
From "Halfway Down the Hall: New and Selected Poems" Copyright © 1998 Halfway Down the Hall: New and Selected Poems. Copyright © 1998
Sweet smell of phlox drifting across the lawn—
an early warning of the end of summer.
August is fading fast, and by September
the little purple flowers will all be gone.
Season, project, and vacation done.
One more year in everybody’s life.
Add a notch to the old hunting knife
Time keeps testing with a horny thumb.
Over the summer months hung an unspoken
aura of urgency. In late July
galactic pulsings filled the midnight sky
like silent screaming, so that, strangely woken,
we looked at one another in the dark,
then at the milky magical debris
arcing across, dwarfing our meek mortality.
There were two ways to live: get on with work,
redeem the time, ignore the imminence
of cataclysm; or else take it slow,
be as tranquil as the neighbors’ cow
we love to tickle through the barbed wire fence
(she paces through her days in massive innocence,
or, seeing green pastures, we imagine so).
In fact, not being cows, we have no choice.
Summer or winter, country, city, we
are prisoners from the start and automatically,
hemmed in, harangued by the one clamorous voice.
Not light but language shocks us out of sleep
ideas of doom transformed to meteors
we translate back to portents of the wars
looming above the nervous watch we keep.
Lake Echo, Dear
By C. D. Wright
from "Steal Away: New and Selected Poems" Copyright © 2002
Is the woman in the pool of light
really reading or just staring
at what is written
Is the man walking in the soft rain
naked or is it the rain
that makes his shirt transparent
The boy in the iron cot
is he asleep or still
fingering the springs underneath
Did you honestly believe
three lives could be complete
The bottle of green liquid
on the sill is it real
The bottle on the peeling sill
is it filled with green
Or is the liquid an illusion
How summer’s children turn
into fish and rain softens men
How the elements of summer
nights bid us to get down with each other
on the unplaned floor
And this feels painfully beautiful
whether or not
it will change the world one drop
Three Songs at the End of Summer
By Jane Kenyon
A second crop of hay lies cut
and turned. Five gleaming crows
search and peck between the rows.
They make a low, companionable squawk,
and like midwives and undertakers
possess a weird authority.
Crickets leap from the stubble,
parting before me like the Red Sea.
The garden sprawls and spoils.
Across the lake the campers have learned
to water ski. They have, or they haven’t.
Sounds of the instructor’s megaphone
suffuse the hazy air. “Relax! Relax!”
Cloud shadows rush over drying hay,
fences, dusty lane, and railroad ravine.
The first yellowing fronds of goldenrod
brighten the margins of the woods.
Schoolbooks, carpools, pleated skirts;
water, silver-still, and a vee of geese.
The cicada’s dry monotony breaks
over me. The days are bright
and free, bright and free.
Then why did I cry today
for an hour, with my whole
body, the way babies cry?
A white, indifferent morning sky,
and a crow, hectoring from its nest
high in the hemlock, a nest as big
as a laundry basket ...
In my childhood
I stood under a dripping oak,
while autumnal fog eddied around my feet,
waiting for the school bus
with a dread that took my breath away.
The damp dirt road gave off
this same complex organic scent.
I had the new books—words, numbers,
and operations with numbers I did not
comprehend—and crayons, unspoiled
by use, in a blue canvas satchel
with red leather straps.
Spruce, inadequate, and alien
I stood at the side of the road.
It was the only life I had.